荒谬剧场；荒诞派戏剧
He attacked the UN as a theatre of the absurd, unfit to decide on whether there should be a Palestinian state.
他攻击*********说那是“荒诞剧场”，不应该在那里决定巴勒斯坦国是否应该存在。
Endgame is one of the most difficult plays written by Samuel Beckett, the unquestionable leader of the Theatre of the Absurd.
《终局》是荒诞派戏剧大师塞缪尔·贝克特最艰涩的剧作之一。
Joe Oreton's play of Black Humor seeks to unsettle the au***nces by laughing at pain, suffering, or serious emotion；it has an affinity with sick jokes and the theatre of the absurd.
在 奥兰顿的黑色幽默剧本中，作者通过对悲痛、苦难或严肃情感的 嘲笑逆观众感到不安，剧本与黑色笑话和荒诞旅喜剧有着密切的联系。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。
In what looks like the theatre of the absurd, prosecutors have for weeks been senselessly reading out pages from their multi-volume case, often confusing pages and repeating passages twice.
庭审过程则好似一出荒诞派戏剧：数周来，公诉人只是从浩繁的卷宗中抽出几页机械地读一下，有时搞乱页码还会读两遍。
Waiting for Godot has been regarded as a masterpiece of Theatre of the Absurd.
《等待戈多》一直被认为是荒诞派戏剧的代表作品。
Absorbing the artistic merits from the avantgarde, the Theatre of Absurd has an important impact on the development of western drama.
荒诞派戏剧吸收了当时先锋艺术的成果，对西方戏剧的发展产生了积极的影响。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives:the philosophy of drama, theatrical background and the language of drama.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This paper is a brief introduction to the rise and the common characteristics of the Theatre of the Absurd.
本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embo***s the artistic features of the Theatre of the Absurd.
贝克特的《等待戈多》被视为荒诞派戏剧的经典之作，它集中体现了荒诞派戏剧的艺术特色。
The Theatre of the Absurd was a new school of drama appeared on the stage of the Western world after World War II.
荒诞派戏剧是战后出现在欧洲舞台上的新的戏剧流派。
Beckett abandoned the traditional treatment of dramatic ingre***nts and in doing so gave birth to a new theatre - Theatre of the Absurd.
贝克特颠覆传统戏剧要素，开创了一种戏剧新形式“荒诞派戏剧”。
The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.
本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
Judging the Antiplay Characteristics of the Theatre of the Absurd from Waiting for Godot;
从《等待戈多》看荒诞派戏剧的反戏剧特征…
However this all works in 1980s were not sufficient to prove that the Chinese dramas were to be the western Theatre of the Absurd.
然而这所有的作品都不足以证明80年代的中国戏剧创作出现了西方意义上的“荒诞派戏剧”。
|fantastic drama;荒谬剧场；荒诞派戏剧
荒诞派戏剧（Theatre of the Absurd）是20世纪50年代兴起的一种戏剧流派，其核心思想是通过非理性、反传统的情节与对话，揭示人类存在的无意义与荒诞性。该流派受存在主义哲学影响，强调人类在缺乏明确目的的世界中挣扎的困境。
哲学基础与定义
荒诞派戏剧的理论根基源于阿尔贝·加缪的《西西弗神话》，书中提出“荒诞”是人对生命意义追问与无答案现实之间的冲突。戏剧家通过支离破碎的叙事、循环对话和象征性场景，展现人类无法与宇宙达成逻辑沟通的困境。
代表作家与作品
艺术特点
历史影响与评价
该流派在二战后西方社会信仰危机背景下兴起，其颠覆性形式曾引发争议，但最终被认可为现代戏剧的重要转折点。剑桥大学戏剧研究指出，荒诞派“以艺术形式具象化哲学思考，重新定义了戏剧的边界”。
权威参考资料：
Theatre of the Absurd（荒诞派戏剧） 是20世纪中叶兴起的一种戏剧流派，其核心思想源自存在主义哲学，尤其是加缪提出的“人生本质无意义”的荒诞性概念。以下是详细解析：
如需更完整的作家列表或作品分析，可参考艾斯林的《荒诞派戏剧》原著。
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