荒謬劇場；荒誕派戲劇
He attacked the UN as a theatre of the absurd, unfit to decide on whether there should be a Palestinian state.
他攻擊*********說那是“荒誕劇場”，不應該在那裡決定巴勒斯坦國是否應該存在。
Endgame is one of the most difficult plays written by Samuel Beckett, the unquestionable leader of the Theatre of the Absurd.
《終局》是荒誕派戲劇大師塞缪爾·貝克特最艱澀的劇作之一。
Joe Oreton's play of Black Humor seeks to unsettle the au***nces by laughing at pain, suffering, or serious emotion；it has an affinity with sick jokes and the theatre of the absurd.
在 奧蘭頓的黑色幽默劇本中，作者通過對悲痛、苦難或嚴肅情感的 嘲笑逆觀衆感到不安，劇本與黑色笑話和荒誕旅喜劇有着密切的聯繫。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒誕派戲劇産生荒誕感的重要原因是基于象征手段的極端化。
In what looks like the theatre of the absurd, prosecutors have for weeks been senselessly reading out pages from their multi-volume case, often confusing pages and repeating passages twice.
庭審過程則好似一出荒誕派戲劇：數周來，公訴人隻是從浩繁的卷宗中抽出幾頁機械地讀一下，有時搞亂頁碼還會讀兩遍。
Waiting for Godot has been regarded as a masterpiece of Theatre of the Absurd.
《等待戈多》一直被認為是荒誕派戲劇的代表作品。
Absorbing the artistic merits from the avantgarde, the Theatre of Absurd has an important impact on the development of western drama.
荒誕派戲劇吸收了當時先鋒藝術的成果，對西方戲劇的發展産生了積極的影響。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
《等待戈多》和《羅森和吉爾死了》分别是荒誕派戲劇和後現代主義戲劇的代表作。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives:the philosophy of drama, theatrical background and the language of drama.
從戲劇哲學觀、戲劇舞台設置和戲劇語言觀三個方面論述了後現代主義戲劇對荒誕派戲劇的繼承性和超越性。
This paper is a brief introduction to the rise and the common characteristics of the Theatre of the Absurd.
本文對荒誕派戲劇産生的背景以及該派戲劇的共同特征作了簡單的介紹。
Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embo***s the artistic features of the Theatre of the Absurd.
貝克特的《等待戈多》被視為荒誕派戲劇的經典之作，它集中體現了荒誕派戲劇的藝術特色。
The Theatre of the Absurd was a new school of drama appeared on the stage of the Western world after World War II.
荒誕派戲劇是戰後出現在歐洲舞台上的新的戲劇流派。
Beckett abandoned the traditional treatment of dramatic ingre***nts and in doing so gave birth to a new theatre - Theatre of the Absurd.
貝克特颠覆傳統戲劇要素，開創了一種戲劇新形式“荒誕派戲劇”。
The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.
本文對荒誕派戲劇産生的背景以及該派戲劇的共同特征作了簡單的介紹。
Judging the Antiplay Characteristics of the Theatre of the Absurd from Waiting for Godot;
從《等待戈多》看荒誕派戲劇的反戲劇特征…
However this all works in 1980s were not sufficient to prove that the Chinese dramas were to be the western Theatre of the Absurd.
然而這所有的作品都不足以證明80年代的中國戲劇創作出現了西方意義上的“荒誕派戲劇”。
|fantastic drama;荒謬劇場；荒誕派戲劇
荒誕派戲劇（Theatre of the Absurd）是20世紀50年代興起的一種戲劇流派，其核心思想是通過非理性、反傳統的情節與對話，揭示人類存在的無意義與荒誕性。該流派受存在主義哲學影響，強調人類在缺乏明确目的的世界中掙紮的困境。
哲學基礎與定義
荒誕派戲劇的理論根基源于阿爾貝·加缪的《西西弗神話》，書中提出“荒誕”是人對生命意義追問與無答案現實之間的沖突。戲劇家通過支離破碎的叙事、循環對話和象征性場景，展現人類無法與宇宙達成邏輯溝通的困境。
代表作家與作品
藝術特點
曆史影響與評價
該流派在二戰後西方社會信仰危機背景下興起，其颠覆性形式曾引發争議，但最終被認可為現代戲劇的重要轉折點。劍橋大學戲劇研究指出，荒誕派“以藝術形式具象化哲學思考，重新定義了戲劇的邊界”。
權威參考資料：
Theatre of the Absurd（荒誕派戲劇） 是20世紀中葉興起的一種戲劇流派，其核心思想源自存在主義哲學，尤其是加缪提出的“人生本質無意義”的荒誕性概念。以下是詳細解析：
如需更完整的作家列表或作品分析，可參考艾斯林的《荒誕派戲劇》原著。
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