荒謬劇場；荒誕派戲劇
He attacked the UN as a theatre of the absurd, unfit to decide on whether there should be a Palestinian state.
他攻擊*********說那是“荒誕劇場”，不應該在那裡決定巴勒斯坦國是否應該存在。
Endgame is one of the most difficult plays written by Samuel Beckett, the unquestionable leader of the Theatre of the Absurd.
《終局》是荒誕派戲劇大師塞缪爾·貝克特最艱澀的劇作之一。
Joe Oreton's play of Black Humor seeks to unsettle the au***nces by laughing at pain, suffering, or serious emotion；it has an affinity with sick jokes and the theatre of the absurd.
在 奧蘭頓的黑色幽默劇本中，作者通過對悲痛、苦難或嚴肅情感的 嘲笑逆觀衆感到不安，劇本與黑色笑話和荒誕旅喜劇有着密切的聯繫。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒誕派戲劇産生荒誕感的重要原因是基于象征手段的極端化。
In what looks like the theatre of the absurd, prosecutors have for weeks been senselessly reading out pages from their multi-volume case, often confusing pages and repeating passages twice.
庭審過程則好似一出荒誕派戲劇：數周來，公訴人隻是從浩繁的卷宗中抽出幾頁機械地讀一下，有時搞亂頁碼還會讀兩遍。
Waiting for Godot has been regarded as a masterpiece of Theatre of the Absurd.
《等待戈多》一直被認為是荒誕派戲劇的代表作品。
Absorbing the artistic merits from the avantgarde, the Theatre of Absurd has an important impact on the development of western drama.
荒誕派戲劇吸收了當時先鋒藝術的成果，對西方戲劇的發展産生了積極的影響。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
《等待戈多》和《羅森和吉爾死了》分别是荒誕派戲劇和後現代主義戲劇的代表作。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives:the philosophy of drama, theatrical background and the language of drama.
從戲劇哲學觀、戲劇舞台設置和戲劇語言觀三個方面論述了後現代主義戲劇對荒誕派戲劇的繼承性和超越性。
This paper is a brief introduction to the rise and the common characteristics of the Theatre of the Absurd.
本文對荒誕派戲劇産生的背景以及該派戲劇的共同特征作了簡單的介紹。
Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embo***s the artistic features of the Theatre of the Absurd.
貝克特的《等待戈多》被視為荒誕派戲劇的經典之作，它集中體現了荒誕派戲劇的藝術特色。
The Theatre of the Absurd was a new school of drama appeared on the stage of the Western world after World War II.
荒誕派戲劇是戰後出現在歐洲舞台上的新的戲劇流派。
Beckett abandoned the traditional treatment of dramatic ingre***nts and in doing so gave birth to a new theatre - Theatre of the Absurd.
貝克特颠覆傳統戲劇要素，開創了一種戲劇新形式“荒誕派戲劇”。
The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.
本文對荒誕派戲劇産生的背景以及該派戲劇的共同特征作了簡單的介紹。
Judging the Antiplay Characteristics of the Theatre of the Absurd from Waiting for Godot;
從《等待戈多》看荒誕派戲劇的反戲劇特征…
However this all works in 1980s were not sufficient to prove that the Chinese dramas were to be the western Theatre of the Absurd.
然而這所有的作品都不足以證明80年代的中國戲劇創作出現了西方意義上的“荒誕派戲劇”。
|fantastic drama;荒謬劇場；荒誕派戲劇
Theatre of the Absurd（荒誕派戲劇） 是20世紀中葉興起的一種戲劇流派，其核心思想源自存在主義哲學，尤其是加缪提出的“人生本質無意義”的荒誕性概念。以下是詳細解析：
如需更完整的作家列表或作品分析，可參考艾斯林的《荒誕派戲劇》原著。
劇院的荒誕主義（Theatre of the Absurd）是20世紀50年代末期出現的一種戲劇流派，它主要表現出現代社會的荒謬和無意義。下面将詳細解釋該詞彙。
劇院的荒誕主義是一種被廣泛讨論和分析的戲劇流派，它通常被用來描述那些表現出現代社會中荒謬和無意義的戲劇作品。這些作品中通常存在着一些反常的情節、不合理的行為和荒唐的對話。荒誕主義的戲劇常常被認為是對人類存在意義的探究和批判。
劇院的荒誕主義通常被理解為一種現代主義的藝術思潮，它反映了現代社會的矛盾和無意義。這種戲劇流派以戲劇中的荒謬和無意義為特點，打破了傳統戲劇中的邏輯和情節結構。劇院的荒誕主義常常被認為是對現實主義戲劇的反響和批判，同時也是對人類存在意義的探究和反思。
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